google-site-verification: google73fd06521940cdfe.html Noneillah: July 2019

Saturday, July 20, 2019

The Top Hottest British Female Rappers Making Noise

The Top Hottest British Female Rappers Making Noise


Shystie, 29-years-old, London@IAmShystie 

Resume: Albums: "Diamond In The Dirt" (2004), "Pink Mist EP" (October 2012).Mixtapes: "Grand Theft Auto" (2006), "You're Welcome" (2011), "Blue Magic" (2011), "Gold Dust" (2012), "Gold Dust 2" (August 2012). 

Lady Leshurr, 22-years-old, Birmingham (UK), @LadyLeshurr 

Resume: Mixtapes: "01:21" (2010), "L Day" (2011), "Friggin' L" (2011), Every Little Counts (2011), "DJ Whoo Kid Presents: 2000 And L" (2012) 


Amplify Dot, 25, London, @AmplifyDot 

Resume: Mixtapes: "Dotty's World" (2010), "Born Ready" (2011). Albums: "Short Back & Sides" (February 2012). 

RoxXxan, 23, Birmingham (UK), @RoTripleX 

Resume: Mixtape: "Prepare For When I Land" (September 2012). Mz Bratt, 23, London, @BrattOnline 


Mz Bratt, 23, London, @BrattOnline 

Resume: Mixtapes: "Elements" (2011). Album: Untitled (Winter 2012) 

No Lay, 26, London, @No_Lay 

Resume: Mixtapes: "The New Chapter" (2007), "No Comparisons" (2008), "Big Trouble In Little London" (2010), "I Am Legend, I Am Future" (2011), "Drop Me Out" (2011), "Rebellion" (2012). 

Lioness, 22, London, @LionessOfficial 

Resume: Mixtapes: "LochNessMonster" (2010), "RoarNess" (2011). Album: "King Of The Jungle." 


Friday, July 19, 2019

How to Get Your Film on Netflix, Hulu, iTunes & Film Distribution with N...





Get the IFH Podcast 👉https://indiefilmhustle.com/podcasts

We have all heard the horror stories of indie filmmakers getting a “film distribution deal” with a traditional distributor and never receiving a dime. In today’s digital world there are many options for indie filmmakers to monetize their content.

Link to Distribber:
http://www.distribber.com/indiefilmhu...




In the film distribution game there’s iTunes, Hulu, Amazon, Google Play, Crackle, PlayStation Network, X-Box, YouTube RED, VuDu, Netflix, and Cable VOD, but how does a filmmaker with no industry contacts get access to these platforms? Enter Nick Soares and Distribber. Check this out:

Distribber is a film distribution aggregator for iTunes, Hulu, Amazon, VuDu, Netflix, Cable VOD and much more. As an aggregator we work to receive, repair, conform, package, and deliver your film to the outlets you have chosen. Distribber allows filmmakers to keep 100% of all profits generated, which effectively removes any middlemen from taking undeserving revenue. Once your film is packaged, Distribber will deliver all assets into our partner portals to go live. Filmmakers have complete control over release dates, updates, removals, the list goes on.



Since finishing This is Meg, I’ve been figuring out a distribution plan for the film…and NO submitting to film festivals and hope for the best is not a distribution plan. I stumble across Nick and his company and was blown away.

Nick has basically opened the doors to ALL the major film distribution VOD and SVOD platforms online and the kicker is you keep 100% of the revenue your film generates, wait for what? They not only accept feature film but the also take shorts and television episodes. I had to have Nick on the show and have him drop some major knowledge bombs on the tribe.

I also did a bit of hunting and found the revenue splits for the major film distribution VOD (Video on Demand) and SVOD (Subscription Video on Demand):

iTunes: 70/30 for EST sales (purchase) and 60/40 for VOD sales (rental).
Hulu: Hulu collects advertising revenue based on the number of ads viewed while watching your movie, then pays you 50% of what they collect.
Amazon VOD: 50 (Filmmaker) /50 (Platform)
Unlike iTunes and Amazon VOD, Netflix’s Watch Instantly service does not pay “per turn.” Instead, they pay a license fee for your film’s Subscription Video On Demand (SVOD) rights — usually for one or two years. So, Netflix can stream your film to their subscribers as often as they wish during the term of your agreement, in exchange for the license fee Netflix pays for that term.
So I want you to get ready to have your mind blown. Enjoy my conversation with Nick Soares.

http://www.indiefilmhustle.com/128

Get the Six Secrets to get into Film Festival for Cheap or FREE!
http://www.indiefilmhustle.com/festiv...

Want someone to show you how to survive and thrive in the film biz, then head over to Alex Ferrari's Indie Film Hustle:
http://www.indiefilmhustle.com

SUBSCRIBE for weekly filmmaking videos to help you get your film hustle on
https://www.youtube.com/indiefilmhust...

IFH Podcast:
http://www.indiefilmhustle.com/itunes

Tips from the Trenches Playlist:
https://goo.gl/qRv2I0

LIKE us on FACEBOOK!
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JOIN our circle on GOOGLE PLUS:
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SEND STUFF TO:
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c/o Alex Ferrari
531-A North Hollywood Way #257

Monday, July 15, 2019

Be A Guest On The Noneillah's Podcast Radio Show and Noneillah Talk Show On Princeton Television

Be A Guest On The Noneillah's Podcast Radio Show and Noneillah Talk Show On Princeton Television 

Noneillah is looking for people to be a guest on Noneillah's Podcasts and Noneillah Talk Show.
Please email us at noneillah@gmail.com if you are interested to be a guest on either platform for a small fee. 

Downbelow is Noneillah's podcasts episodes and Noneillah Talk Show




Noneillah's Podcast Radio-Podomatic




Noneillah Talk Show




Noneillah Talk Show on Facebook




Noneillah Talk Show website


Noneillah's Podcast-Podbean

Friday, July 12, 2019

How to Start a Podcast

Start a Podcast

You can start making your own media now as you prepare to start your own radio station.  Podcasts are a great way to get your feet wet in the world of radio production. They can help you work on your interviewing skills, audio editing skills, and start to build your audience.  Here are some resources on how you can get your own podcasts up and running on the internet.

 

Basics

How-to-podcast-tutorial.com has a nice guide on the basics of creating your first podcast, from software to getting online.
There are many resources on how to create a Podcast, Apple offers its own FAQs and tutorials on how to set up your first Podcast.  It might be worth the effort to get your podcasts to show up on iTunes, as it may greatly increase the size of your audience.
This guide is a good resource on how to get your Podcasts to appear within iTunes.
It should be noted that iTunes is not the only way for your audience to receive your programming.  They can utilize software embedded into your website to stream the content directly from their browser, or they can use free software that automatically syncs up with your RSS feed.

 

Recording Audio

One of the most important factors in radio – be it transmitted or podcasted – is the quality of the audio. The best way to get high-quality audio is to use a high-quality microphone. This is not the area to skimp out on, so shoot for the highest quality microphone that you can afford. You may be able to cut some corners when considering editing software or portable recording devices, but a studio-quality microphone will ensure that your voices are heard naturally, without scratches, pops, and background noise. Any microphone is better than no microphone. 
Transom.org offers some good advice on how to choose a good microphone for your needs. If you plan on being out in the field and recording audio for your podcasts, then they also offer an article on hand-held microphones, as well as reviews on the best portable recording devices for the lowest amount of money.  If you know you won't be recording in the field, then you can simply record directly to a computer using recording/editing software.
The transom also offers a collection of how-to articles for editing and mixing and the physical act of recording and interviewing that you should familiarize yourself with before venturing out into the world of podcasting.
Setting Up a Small Recording Studio: Here is a guide on how to set up a small recording studio, including computer and software selection, necessary hardware, and equipment recommendations.

Editing your own Audio

Using one of these programs will allow you to both record and edit your audio all in one place.  It's recommended to use these kinds of software to do your recording because they will allow you more control of how the audio is recorded; rather than using a small program built into your computer's operating system and copying it into your editing software. Using the latter may result in your audio being recorded in mono (sound only comes out of one speaker.)  Using good software to record will result in higher quality audio, which affects the end product.
There's free audio editing software available for Windows, Linux, and Mac OSX called Audacity.  This software will do most of what the others can do as far as recording, mixing, editing, inserting clips, etc. goes.  To learn how to use the software, try looking at the Audacity Manual or check out how-to-podcast-tutorial which provides tutorials on how to use Audacity specifically for making podcasts.

If you're working with a Mac computer, you can use Garageband to easily create your Podcasts.  Garageband includes the means to record your audio using a microphone, add jingles, stingers, and sound effects, show the podcast track, import other media files, and publisher tools like creating marker regions, chapter titles, marker region artwork, and weblinks.  Apple's website offers tutorials on how to use Garageband to edit your audio for podcasts: Apple Garageband help for Podcasts.
If you have more of a budget to work with then it is worth buying professional software like Adobe Audition (previously known as Cool Edit Pro.) This software is very advanced and may require special training in order to learn its functionality if you are not familiar with audio editing.  The tradeoff of the price is that it is much more reliable than Audacity and offers a significantly higher amount of tools.  There are great support communities for this kind of software, and many tutorials available online on how to use it. Adobe offers discounted licenses for their products for registered nonprofits, check out their website to get some more information.

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Getting your Podcasts Online

There are websites out there that offer you a means to create podcasts using their technology, but they tend to charge you for their best tools.  The website PodOmatic offers a free account for creators and users alike, however, if you plan to release lots of podcasts, then it might be worthwhile to pay for the pro account. Or you can try the services provided by Hipcast, which allows for "cloud-based" podcasts.  This service allows your podcasts to be posted on your website/blog, sent to iTunes and to mobile devices, but it is not free.
Stations can also host their podcasts on their on the website, which is most likely going to be your preferred method of delivery.  This involves embedding some sort of audio player, like Quicktime or a Flash-based player (similar to what Youtube uses) to play the audio files.  This blog offers a simple overview on how to embed your .mp3 podcast files using basic HTML coding to your website.  All you have to do is upload your .mp3 podcasts to your website and insert the code provided.
Sweetwater.com has a tutorial on how to set up an RSS feed for your podcasts manually but also offers some resources that can make your RSS files for you.
It's highly worthwhile to have a multimedia station to be as versatile as possible to reach out to the largest audience as possible.  Utilizing social media websites like Facebook, Myspace, Twitter, etc. will allow you to notify your subscribers and listeners easily and effectively about new episodes. Sherrie Tennessee Consulting has some basic tips for using social media.
There's some nice open source receiver software out there that you can direct your listeners to. Software like Juice is available for Mac OSX, Windows, and Linux.  It's a simple receiver program that allows users to capture and listen to podcasts anytime, 

Noneillah Show: Interview Deshon's mother on Coach USA/NJ Transit Drive...

Thursday, July 11, 2019

Noneillah Talk Show On Princeton Television

Noneillah Talk Show On Princeton Television 



ABOUT US
The Noneillah Talk Show is in memory of music artist, Noneillah Founder, digital designer, engineer, songwriter, visual artist, a college student, and son of the hottest Naomi Johnson; Deshon. Sean Mason aka Deshon was killed by Coach USA bus driver Wilson Romain who was operating an NJ Transit bus. Romain deliberately ran over Deshon twice then dragged him 50 to 100 feet. 
Naomi created the talk show to give the victims who were killed by NJ Transit, Coach USA, School Bus and NJ Transit loved ones a platform to share their story. 
The "Noneillah Show brings the hottest music, news, fashion, sports and every other form of entertainment to a computer near you. Just scroll down and check out our links, interviews, affiliates, and much much more.
This dynamic duo Naomi and Joseph are dedicated to carrying out Sean's mission statement that he has on his Noneillah Blog.








How to watch Princeton TV
Princeton TV can be seen on Comcast Channel 30 in Princeton
Princeton TV can be seen on Verizon FiOS Channel 45 in all or a portion of the following towns:

Mercer County

•Ewing Township

•Hopewell Township

•Hopewell Boro

•Lawrence Township

•Princeton

•Trenton
•West Windsor Township
Middlesex County
•Cranbury Township
•Plainsboro Township
•South Brunswick Township
Somerset County
•Franklin Township
•Hillsborough Township
•Montgomery Township

Disney Channel Star Cameron Boyce Dies At Age 20 | TODAY